Art Making Art Thinking

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Tag: drawing

New Year January 2018

I am listening to Moving Pictures an occasional dip into radio art documentaries I take when I’m preparing to write. I find people talking about other artists’ works brings me gently to a frame of mind where I can write because I do find writing difficult.  ‘A flower picture’ by Rachel Ruysch is in the National Museum of Women in the Arts in Washington and the accompanying discussion about her eye for detail demonstrated by her painting strikes an echo in my mind about my own work. The smallest detail of my surroundings fascinates me – whether looking down the lens of a microscope at soil or up to the stars with a telescope. It’s the same with listening, feeling or thinking. Sometimes I feel it’s not possible to think more deeply and then find after a while that my understanding has moved on by a fraction and then make art work which I could not have before. The works themselves are circular and iterative, no one else would notice any difference except me. The questions are constant and still shout at me . . . however many new things I find there are still more . . .and more . . . and I understand that this searching will continue for the rest of my life and that the new things are not new. It is the way I see them which changes.

Listen to the radio programme.

To go back to January 2017, to look at the beginning of this research project into the River Ericht here in Blairgowrie is like looking at the parts from a jigsaw . . . each piece a fragment of thought, a new person, a landscape (familiar then unfamiliar), a tree, a plant, a rock, a building, a story, water, air and interlinked in a way I cannot find. I think I will start here, at the end where I don’t know what I have, in January 2018 and go back to the beginning in January 2017. I began with thinking about water, its flow and changing nature and I end with think about air, its flow and its changing nature.

These three pencil drawings, the first this year, are thought drawings considering turbulence and how we move through space and time. They are not scientific drawings, they are personal reflections. This weekend I will take them down to Edinburgh and hopefully sell them in the SSA/VAS Open 2018

An interlude – continuing reflection on practice – a post with no images

In my thesis (2006)[1] I examined the idea that creative practice for most artists (from any art) could not be easily separated from everyday life.

Arguably everyday life for everyone requires imagination and memory as well as thinking . . .

about what is around them now . . .

about what has been around them in the past . . .

and about what will be around them in the future.

When I think about what that involves for us . . . for all of us . . . all the time . . . I am still astounded by the existence of consciousness and its complexity.

Essentially consciousness is one of the most beautiful things in our world, it results in seemingly unlimited ways of structuring and restructuring and enhancing our lives and here’s the but, those enhancements are subject to different belief systems within individuals, society’s and cultures which themselves are the products of ‘creative’ thinking.

What brought on this reflective burst of thought? Three things in particular . . .

Firstly – last week I was at the Christmas meeting of the Perthshire Care and Well-being Co-operative and we spoke about the importance of providing different kinds of care for the increasing numbers of people experiencing problems with their emotional and mental health. The shared consensus was that increased pervasiveness of technology was exposing people of all age groups to unrealistic expectations of themselves and how they should ‘be’, revisiting the perennial question . . . what makes a successful and meaningful life?

Secondly – Donald Trump’s recognition of Jerusalem as Israel’s capital. Enough said.

Thirdly – the article in the Blairgowrie Advertiser early in December informing the readership that the old Hill Primary school in the town centre had been sold by Perth and Kinross Council for the grand sum of £1. Yes, SOLD FOR £1!!! To Corryard Contractor and Developer, Crieff. This was only found out after a freedom of information request was put in to the council. The request was put in because of confusion in Blairgowrie about why the council would prefer to choose a private development bid over one from The Ericht Trust. The Ericht Trust had spent a significant amount of time putting together a proposal for a local community centre for the benefit of Blairgowrie. Finding out that the old school had been purchased for £1 is an indication that central amenities for the local community are not a priority for Perth and Kinross Council. Dream Homes are a priority though. Enough said again. (Interestingly I could not find anything on the Blairgowrie Advertiser’s Facebook page about this, or on the online page of the  Daily Record’s  which owns the Advertiser

I am unable to make art which overtly engages with these issues, I don’t know why. Perhaps it’s because I feel that I cannot do justice to the seriousness of these events although all of this does influence my thinking and therefore, indirectly, my art.

 

[1] Stackhouse, Aileen M (2006)Trahere; the sense of unease in making a mark – the practice of drawing and the practice of thinking. University of Dundee

Art Times . . . I live here . . . close by the River Ericht

And now it is the end of March. So much is happening, so many new people to meet and to talk about the Ericht with, so much to learn about. Learning is an ongoing process for people, we have to learn to live, we have to learn to communicate and create, to make, to think and imagine how things can change or how to keep them the same (impossible). We learn whatever we do, we learn when we meet different people, we learn that they see a different world from our own, this includes the wide world around us as well as what is under our own nose. Not everyone appreciates wildness, wilderness, many cannot see beyond the undergrowth and what lives there, for some a tree is an obstruction and not a home for living things, not everyone appreciates maintained landscapes, many cannot see the green space around only what forms of life are missing.

I’m learning all this anew, not everyone sees the Ericht the way I do, as a refuge, a safe haven full of beauty. Because of this range of opinions I will say what I have learned from the people I speak to, but in this Creative Scotland funded role of Artist-in-Residence-in-My-Home-Blairgowrie I will maintain an objective distance. I will show what I see, I will not express personal opinions.

Meetings attended this month have included BRAN and then the Riverside Venture Group which is a sub group within Blairgowrie Community Council then one to one meetings with Jessie Shaw of One Voice and The Ericht Trust where I collected a Tascam sound recorder to borrow and record sounds along the river as well as interviews. I have volunteered to become their new interviewer for Blairgowrie Hour on Heartland FM so we’ll see how that pans out, Lesley McDonald from Cargill’s Bistro has a list of people she wants me to interview. I walked along the Ericht towards Kitty Swanson’s bridge with Hazel Harris and we spoke about how paths were vulnerable to landowners and farmers as well as the area’s history. Upcoming conversations include Melanie Thomson who will speak to me about the history of the mills along the Ericht’s banks and Louise Copeland who lives at the confluence of the Lornty Burn with the Ericht.

And Spring is coming . . .

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