a week on from the blood blue super full moon and snow has fallen deep and soft in the night everything hidden and lying beneath this all resting against each other randomly it is not dry small flakes it is large wet flakes in clumps on the branches of trees and houses the sky is blue grey no stars or moon this morning dark no hint of the sun rising behind the sidlaws to the south no robin sings toward the dawn no wind
I can play with our northern dog outside in her element where she would rather be all the time
I have been wondering what all the great thinkers of the past would make of our world now, what they may have achieved with the resources we have at their fingertips, does ease of access to our technologies for some of our societies make us intellectually lazy, does lack of access mean people think harder to solve problems or do they become worn down by life’s inequalities? Galileo’s life was intellectually hard, his support and enhancement of Copernicus’ theory was challenged and threatened by the Roman Catholic Church and his reasoned analysis of the Earth’s place in the Solar System meant imprisonment, yet he kept working and eventually was able to come home near the end of his life. Sometime in the early years of this century I looked at Galileo’s drawings of the phases of the Moon with close attention and seriously thought, for the first time, about what was actually involved in his process of moving his gaze through the telescope (the lenses ground by himself) at the Moon and recording what he saw when he drew the Moon. The drawings were published them in his book The Sidereal Messenger (1610), I had seen them before but I had not previously fully considered what these drawings actually are and what they meant for society then.
This thinking about thought is cyclical, like the Moon it moves out of sight then returns when I see or read something which reminds me, in this case the BBC’s programme about the Moon scheduled to take place on the same night (31 March 2018) as a Super Moon. What moved me was not only the images of the Moon, it was those of peoples’ reaction to this natural event, their excitement showed in the way they moved, how they spoke. . . all these people all around the world responding . . . this is as beautiful as the Moon itself. Throughout the programme the camera kept returning to an artwork made of the Moon and showing audiences’ reactions when they encountered it. Although this moon was not real people who came to see reacted in the same way as they would to the real one. The artist was not credited during the programme, I waited for the end credits to confirm who I thought it was. I have not seen the artwork itself, a Radio 4 programme had caught my interest and I was pleased to see that this moon looked like my imagining. The artist is Luke Jerram, have a look at his work on his website.
I think Galileo would have liked Luke’s Moon, and I think he would have liked all the technology we use now to see the Moon, technology which can be traced back to him grinding lenses for his telescope so that he could look at the Moon. If you want to read about his life and its complexities then Dava Sobel’s (2009) book of his life is fascinating.
For the rest of February and into March I am BUSY. Writing my Final Research report for Creative Scotland and sorting out from the project what I’m going to show at Platform 2018, Culture Perth and Kinross’s yearly festival of the arts. http://www.culturepk.org.uk/